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ART RUN: Critical Thinking About Amateur Art

By Jennifer Kubicki Monday, August 11, 2008

“About four or five years ago something came over me and I just had to paint all the time.”


As tempting as it may be to interject with a quick and spirited “that’s what she said”, followed by an I-just-can’t-help-myself, shit-eating grin, I’ll restrain myself.

Reluctantly.

I am quoting one of the artists who managed to finagle his artwork into the St. Augustine First Friday Art Walk. Though, finagle is probably not the right word for it. Apparently it’s really not all that difficult to get your work displayed. As I see it, all you need is some paint, a basic understanding of the color wheel, and an ego the size of a Don Johnson’s growing gut. Presumably most of the artists I’ve seen on these walks must possess such sizable egos for how could they otherwise manage to dig up all that shockingly foolish audacity.

Ok I exaggerated. You actually don’t need to have a basic sense of the color wheel. Indeed no sense at all.

So, my dear wannabe artist, Mom knows what’s best for you and was always your biggest fan when it comes to your art, but lest we forget, Mom also has selective blindness when it comes to her spawn. For instance, wasn’t she the one trying to convince everyone how adorable you were as an infant when indeed your looks had, at best, a resemblance suspiciously like that of a hairless troll?

PHASES OF THE OPEN MIND


Through decades of observation and direct participation my mind has reached phase IV of the letting in and pushing out of all things art related. If you are an aspiring artist between the ages of 25ish to 35ish you should be right there with me. This phase allows for a certain amount of justified subjective criticism towards the works of all those self-proclaimed artists out there so as to better able our impressionable minds to reject all that unfiltered nonsense.

PHASE I: Doo Doo Run Run Run, Doo Doo Run Run


Infant To Juvenile

Don’t you wish we could all go back to the days when we thought everything to be so wondrous and beautiful that even the very caca doodoo in our pants brought a sparkle to our infantile eye?

Well I don’t.

Though in many ways it’d be nice to see all things in a new light with the eyes of an infant, there are certain things that should never be received with such open arms – like certain works of art that in many ways could use the same descriptive words as those you would use to describe caca doodoo

When you’re that young, the limitations of personal bias is usually not an issue, however the limitations of your naivety certainly far out way subjectivity.

PHASE II: Know Jack, Know Crap. No Jack, No Crap.


Adolescence

“Mommy, that Jackson Pollock painting is so stupid! I could do way better.”

Ah kids. Ya gotta love em. They always know how to keep it real. And let’s face it Jack, the little brat’s got a point. It is at this age that we are becoming more selective about personal taste and conscientious of art and the making of it. Our minds begin to close off quite a bit.

Don’t panic. A closing up of the mind after several years of being open wider than Ben Affleck’s schedule is a good thing. We can finally begin to defend ourselves from all that shallow, kitsch, artsy fartsy crap. This phase prepares us for a careful and thoroughly discerning re-opening of the mind.

Which brings us to..

PHASE III: Dude, Where’s My Opinion?


College Kid

You don’t need a college degree in art and design to understand art, buuuuut it helps get you out of phase II and through phase III a hell of a lot faster. All those class critiques, cramming for exams, writing of papers, you eat drink and crap art every single day for roughly four years. You are again as wide open as Amy Winehouse’s track marks, but, like Amy’s nasty little habit, only on and off.

But mostly on.

Your once closed mind is now scolded and shunned, dare you speak even one disparaging word against any artist, great or not, let alone against good ol’ Jackson.

And don’t get me started on Andy.

PHASE IV: Andy You’re a Star…In Some People’s Eyes

Out in the Real World

I hate to say this but this isn’t by any means the final phase. Nowhere near, really. In fact, phase IV is going to be significantly different for everyone. We are now discovering the critical balance of the letting in and pushing out. To know when to open up to something smart and to know when to shield the shit.

It’s a good feeling to be in phase IV. Despite how pompous it may sound to someone still in phase III, I love that I can look at a wannabe work of art and say out loud, free of guilt and the repression that is the popular kid vote, that it sucks. That it’s an already been done and shouldn’t have been done in the first place, please get a job as an accountant as there is where your talent is more likely to reside, god-awful piece of crap.

And oh, hey Andy, listen, your work sucks and all but you’ll be happy to know that I’ve at least come to acknowledge the sheer brilliance of the message behind it and the vital impression you’ve left upon me as well as upon this world.

Where I’m at in phase IV - contemplating the theory that anything could be art.

Confused?

Yeah, so am I.

CONCLUSION: Run, Don’t Walk


Wannabe artists can best be described as a bunch of rampant monkeys flinging their feces at any and every innocent and unsuspecting passerby.

Don’t let this happen to you.

Good luck to you, dear reader, on your journey through your own city’s Art Walk. If it’s anything like St. Augustine… God help you.

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Comments

10/11/2008 12:30:52 PM
Megan

Megan

First I would like to say that I enjoyed what you wrote and can empathize with most of your frustration.

I actually think that its good that beginner or in your terms bad art is at art walks. Art walks shouldn't be hard to display work at.
The teachnicality of being able to paint and draw isn't the only thing that you NEED to learn being an artist. Art walks and festivals are good places for beginer artist or emerging artist to learn the process of having shows and how to sell their work.

Its very rare to find a $50,000 peice of art on the street or small group-made gallery which you usually see at most art walk events (un less an already astablished gallery is on the square where the festival is) Not to say that all good art costs that much. Just making the point that it's not a prestigeful space to be.

I think that you the viewer, collector, art appreciator, ect, need to educate yourself on the venues that will carry professtional educated local emerging artist peices. As your phases of art education continues to grow so does the want to go to shows of higher caliber
and higher intellect.

I agree with the ego comment. nothing needs to be said about those people. They usually never make it to being an artist as a living. Its a humbling job. As annoying as they are, you just don't go to their shows...ha.(if you can help it)

11/9/2008 9:32:58 PM
Jennifer Kubicki

Jennifer Kubicki

I appreciate the lengthy comment. I think, however you seemed to have missed the point of this piece in that it was meant to be a bit farcical.

That being said I'll humor you with a real response. I think it only logical that one create something worthy of promotion before getting all caught up in the process of selling. If one cannot grasp that capability, perhaps accounting might be a better fit.

In reference to your advice on broadening my experience with art I can assure you my relationship with art goes well beyond art walk.

Not to worry, reader, I have an Asshole License specifically geared towards Art.

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